Thanks to Covid-19 all of our favorite fan conventions have been shutdown. No PAXes, E3s or Comic Cons of any type. The online conventions that people have been throwing are fine, but they have lacked any oomph. They have all been lacking in one way or another. The PS5 event lacked release dates, the Xbox events lacked a killer app, and the online Comic Cons have lacked cool announcements and star power. With Summer 2020 coming to a close, Warner Bros and DC have finally given us something to cheer about. I mean look at all the things they announced in one day!
The Flash will fight along side Keaton’s Batman and be mentored by Affleck’s Batman
A new Wonder Woman trailer
WB Montreal is working on a Bat-Family game with the Court of Owls
The Suicide Squad had a behind the scenes trailer and character role-call
The Titans will be fighting the Red Hood. Also, the Titans still aren’t canceled
Milestone Media will relaunch in 2021
A new Snyder Cut Justice League trailer, and the movie/miniseries will be FOUR HOURS LONG
The Black Adam movie will feature the JSA, and more importantly DOCTOR FATE
Shazam 2 is now call Shazam: Fury of the Gods, and it may have Sinbad in it because that would be funny
Rocksteady is making a game where the Suicide Squad has to kill the Justice League
The Batman has a new trailer, and it is amazing
In fact, here is that trailer:
And that was all day one! Day two is in mid-September and will have more comic book and TV stuff. Warner Bros managed to make a day full of announcements worth watching, and I am not going to miss day two that is for sure. Which is not something I expected from a company that usually announces movies during earnings calls.
Hey, being locked inside is not fun, and Warner Bros gave us something to gawk at and cheer for, and I think that is something to applaud. Other media organizations should take note. This is how these events should be done. I hope we can get back to doing stuff in person next year, but I could get used events like this.
I am not sure how to write this review. I love puppets, and The Jim Henson Company is the best in the business. What I am saying is that there are some serious biases here, but that aside, you should watch The Dark Crystal: Age of Resistance. Puppets or otherwise, the show is an amazing original high fantasy epic that doesn’t require you to have watched the movie from thirty years ago (though you still should, but maybe after watching the show).
The Dark Crystal: Age of Resistance takes place quite some time before the movie. The show never says exactly how long, but I am guessing a few decades at least. The world of Thra is being ruled by the exploitative and cruel Skeksis, and the peace loving Gelfling are oblivious to the Skeksis crimes. Until Rian (Taron Egerton) witnesses their evil first hand and seeks to start a rebellion.
The first thing you will notice about Age of Resistance is that everything looks ‘real’. Computer generated imagery has become so ubiquitous, that seeing real sets and characters is a breath of fresh air. The next thing you will notice is how great the world of the Dark Crystal is. Yes, it is dark, but not overbearingly so. The darkness allows the light to shine brightly. All the creatures, languages, social structures and everything work so well and are well thought out. This was clearly an act of love by all involved.
The vocal cast pretty much includes everyone. It is just top talent from start to finish, and they all do marvelous jobs, but the real heroes are the puppeteers who bring this TV show to live. The Dark Crystal: Age of Resistance wouldn’t work without them, and the fact that there are still so many talented puppeteers out there is amazing.
I could gush about this show for a long time, and I kind of want to, but it wouldn’t be adding anything of value to this review. It looks amazing, sounds great, and the world is fantastic, so you should watch The Dark Crystal: Age of Resistance. Though keep in mind due to the puppet violence, it may not be suitable for younger viewers, but being scared stiff by The Dark Crystal at a young age is something that happened to all kids of the 80’s, and it now can and should happen to a new generation.
The first few episodes of The Handmaid’s Tale season three are some of the series’ best. Adding new interesting characters, and seeming to start the Handmaid rebellion that was promised at the end of season two, but then it seems the writers struggled to find anything interesting to talk about for next four episodes, as the show adds a new subplot that doesn’t really go anywhere. Even at the end of the season it all seems like a waste of everyone’s time.
However, things do get back on track and June (Elisabeth Moss) the rest of her merry band get up to no good in the best possible way. If only the show had stuck with this instead of stretching for time. I guess they had to fill those thirteen episodes somehow. I also liked how The Handmaid’s Tale really started to focus on how all this was changing June, and not necessarily for the better. She is much different at the end of season three than rest of the series. Giving her probably the most of an arch she has had to date.
Over all I would say The Handmaid’s Tale season three was an improvement over season two, but it was still far from perfect. Next season I hope they can stay focused and not stop the action cold for a whole third of its episodes. Until then, “Under his eye”.
It was impossible not to watch Dead to Me on Netflix. Once I saw that it starred Christina Applegate and Linda Cardellini, and it allowed them to use their sharp wit in full force. It was a must watch. Though what the show was billed as, a dark sitcom, and what it is, noir thriller drama sitcom(?), are two different things. The leads carry this show, and the strength of their performances cover over any flaws Dead to Me may have.
Jen (Christina Applegate) and Judy (Linda Cardellini) meet at a local church grief counseling group. Jen lost her husband in a hit and run accident, and is full of rage, and Judy is doing her best to stay chipper and positive despite losing her fiancé to a heart attack. If this was a normal show it would be about these two learning to lean on one another to overcome their sadness. This is not a normal show.
I don’t think Dead to Me’s writing is always consistent. It can feel choppy at times, but as a vehicle for Christina Applegate and Linda Cardellini, it is wonderful, and it was smart of the producers to stick to the thirty-minute sitcom format even though a show like this would generally feel more at home as a one-hour drama. That way it doesn’t outlast its welcome. It is a tight five hours of programming.
With the about eight billion dollars’ worth of original programming hitting Netflix at any given moment it is hard for a show to stand out, but having Applegate give a tongue-lashing to a woman dropping off a Mexican lasagna was a great way to do it. Add in a James Marsden, Ed Asner and of course Linda Cardellini, and it is hard for a show not to gain attention. It is worth your five hours, and I am sure the next five hours will be as well (it just got renewed). There is a lot of life left in Dead to Me.
Stranger Things is Netflix’s biggest show, not by viewership, that is The Office, but by mindshare. Everyone talks about Stranger Things and looks forward to bingeing it when it comes out. Media outlets post articles about it in the months and weeks leading up to its air date, and then think pieces are released after. It is must stream TV, and you have to stream it before spoilers are everywhere. The only place you can watch it? Netflix. Netflix needs the show to be good, and season three might be its best yet. Season one is was a mystery, season two expanded the lore, and season three amps up the action and tension.
A couple years have passed since season two, and the residents of Hawkins Indiana are going about their lives. After all Eleven (Millie Bobby Brown) ended the threat at the end of season two, so there is nothing to worry about. Unless of course the Russians are trying to bore holes in to another dimension. That would probably be bad.
What I love about season three is that it really leans in to the 80’s action movie tropes. Of course their are Russians, and if you are fan of movies from that decade, there are a lot of other fun things you will notice as well. While, tropes and call outs are fun, the best part is still all the characters, they are as good as you remember them. Mike (Finn Wolfhard) can get a little annoying, but he is supposed to be. Stranger Things season three is also much more tightly scripted than two. It builds and builds until everything blows apart.
If you are a fan of Stranger Things, you have probably already seen season three, but if you are not a fan, it is well worth watching. I don’t think Netflix knew what Stranger Things was going to be when it greenlit the series, but now it needs it, and if it keeps getting better, we may start to need it to. I hope we don’t need to wait another two years for season four.